Stereotypes and Stereotyping of Native Americans in The Last of the Moh

The Last of the Mohicans and Stereotyped Native Americans1 Native Americans were part of this country long before our basis forefathers. They were the people that Christopher Columbus found inhabiting this toss off. There is even evidence to show that they have been on the American continents for thousands and even tens of thousands of years. Yet, somehow the European powers dominated these people, forcing them from their land to make it ours. In the early part of the twentieth century, a new industry began to develop we call it the film industry. Along with the industry came movies that were made and be still made for the amusement of a mass audience. Some flaws did come with this industry, and among them was the depiction of Native Americans. Anonymity is a feature of the Indian portrayed in filmmany do not have names or speaking parts (Bataille and Hicks 10). Native Americans often speak with a broken artistic style or baby English. They atomic number 18 not abl e to fully understand or express complete thoughts in the English language. This makes them appear to the audience as a lesser character. The second role of Native Americans in film is that of a sidekick or crony of some white hero, like Tonto in The Lone Ranger (1938). In these films The Native American The Native American was placed into one of the following four roles the first isthe comedic Indian, the jester of the frontier court. This Indian spoke in simple is clearly secondary in importance and was never the hero (Crowdus 297). The two most significant roles of the Native American are the bloodthirsty savages and their counterparts the noble savages. 2 These two opposite characteristics were adopted from the images and stereotypes wh... ...l, Stuart. The Question of Cultural Identity. Modernity and Its Future. Ed. Stuart Hall, David Held, and Tony McGrew. Cambridge The Open University, 1992. 273-316. McWilliams, John. The Last of the Mohicans Civil Savagery an d Savage Civility. New York Twayne Press, 1995. Pearce, Roy Harvey. Savagism and elegance A Study of the Indian and the American Mind. Los Angeles University of California UP, 1988. Rosenstone, Robert A. Visions of the Past The Challenge of Film to Our Idea of History. Cambridge Harvard UP, 1995. Schlesinger, Arthur M., Jr. The Disuniting of America. New York Norton. 1992. Schwartz, Seymour L. The French and Indian War, 1754-1763 The Imperial essay for North America. New York Simon &Schuster, 1994. Steele, Ian K. Betrayals Fort William Henry and the Massacre. New York Oxford UP, 1990.